Road Runners King Tuts Gig

Big news ! RoadRunners will be playing King Tuts on 2nd August 2025 as part of the King Tuts Summer Nights.

They will be supporting The Tranquils along with Sleepy Badgers, and Dad’s Best Friend.

It will be a fantastic show with RoadRunners playing a mixture of originals and cover.

So get your tickets while you still can !

Details:

• When: Saturday 2nd August 2025

• Where: King Tuts Wah Wah Hut, Glasgow

• Tickets: £12 and can be purchased here !
  

The Roadrunners – Ivory Blacks, Glasgow (6th Feb 2025) “Youth may fade, but the music never does”

Third gig of the year, first of five lined up for February, and—unsurprisingly—another night watching The Roadrunners. This time, it was Ivory Blacks in Glasgow, my first time at the venue. Decent size but still manages to feel like a small place, which worked well for the night. The stage setup was nice, and the TV at the back broadcasting the stage was a good touch. Crowd was decent, applause was loud, and a good few whoops thrown in. My own reaction to Fault—"that's a fucking tune"—even got a thank-you from the singer, so I'll take that as a win.

Support came from Four Outta Five and KLV, two bands I hadn’t seen before but will be keeping an eye on.

Four Outta Five

Missed the start of their set but arrived just in time to hear them cover Go With the Flow by Queens of the Stone Age. A song I already like, and they did a solid job with it, setting the tone for the rest of their set. They stuck to covers, with highlights being Stacey’s Mom and Would You Rather Be Lonely by Red Rum Club, which has been a favorite of mine lately. The standout moment, though, was Creep by Radiohead. The singer kept it simple and true to the original early on, but in the middle section, he really opened up and put his own style into it. A refreshing change that worked really well. I had a quick chat with him after the gig and found out the band is just getting started and working on original material. Based on their song choices, I’ll be interested to hear what direction they take with their own stuff. One to keep tabs on.

KLV

Another band in the early stages, and like Four Outta Five, I couldn’t find any of their music online. They also threw in a few covers, ranging from old-school to modern. Beetlebum by Blur was a nice choice—always been a favorite of mine—and their take on Tom Petty’s Mary Jane’s Last Dance was solid. Their guitarist stood out; for a young-looking guy, he could really play, sharp and clean with some great solos. The highlight of their set was an original song called Halfway. Easily their strongest moment, and one I hope isn’t far off being recorded or released. If that’s the standard of their own material, then I’m looking forward to seeing them again.

The Roadrunners

As expected, they were brilliant again. Started things off with a cover of Still Into You by Paramore, which set the energy level high from the off. The whole set was tight, with Devils in God’s Clothing once again blowing me away. The singer’s vocal range was in full flow, and as for Fault—it just keeps getting better. Every time I hear it live, they tweak something ever so slightly, and somehow, it always seems to work. One of the funnier moments came when the drummer suddenly got up and ran to his bag at the end of a song. Turns out he needed different ear buds, but the singer announced she was starting the next song anyway. Cue the guitar intro kicking in, and the drummer making it back to his kit just in time to come crashing in—one of those little live moments that add to the night. They wrapped things up with Home, which hasn’t been in their set for a while, so it was good to hear again. Loved the harmonies with the lead guitarist on this one—great way to end the set. Also threw in a cover of Hot N Cold by Katy Perry, because why not?

Summary

A night full of covers of songs I enjoy, and I felt every one was done justice. The original material I heard was impressive, and I’ll be keeping an eye on both support acts to see how they develop.

The Roadrunners at King Tut’s Wah Wah Hut – January 16th, 2025

The "Gig Life Crisis" continued in style this year with The Roadrunners taking the stage at the legendary King Tut’s in Glasgow. A venue that speaks for itself, King Tut’s is a rite of passage for any band on the rise, and The Roadrunners proved they’re more than ready for the challenge.

The night was supported by a strong lineup, though I arrived late and missed the start of The Take Backs’ set. However, what I did catch has put them firmly on my radar for 2025. They delivered a standout cover of Primal Scream’s "Rocks", which had the crowd fully engaged, and just before that, they played an original track called "Midnight Queen".

With its fantastic bass line and overtones of ‘80s classic rock, it was an instant like for me. I’m hoping this track makes it to a recording soon. While the vocals were a little raw in places, you get the sense that with more live experience, the singer’s voice will naturally polish up. I’m already looking forward to seeing them again.

Unfortunately, due to the midweek timing of the gig and a 4 a.m. rise for work, I wasn’t able to stay for Spectral View or The Karavats.

The Roadrunners, though, made my shortened night worthwhile. Their set was a lively mix of originals and well-chosen covers, including "American Idiot" with the lead guitarist stepping in on vocals and "Teenage Dirtbag", which sparked a nostalgic singalong. The highlight of the night was an unexpected Sabrina Carpenter cover, which ended with a pair of pink fuzzy handcuffs being thrown onstage. The lead singer handled it with charm, casually twirling them around her finger mid-performance—a moment that perfectly captured the band’s playful confidence.

While the lead singer’s vocals undoubtedly steal the show, it’s worth highlighting the impressive talent behind her. The lead guitarist delivers some genuinely technical and memorable solos, the drummer’s skill shines through particularly on the original track "Evil Angel", and the big bassist exudes coolness, effortlessly locking in with the rest of the band without ever seeming fazed by what’s happening around him. Together, they’re a tight, gifted group that elevates their sound to a whole new level.
For me, their originals are where they truly shine. "Fault" continues to stand out as a personal favorite, with the lead singer’s incredible range on full display. Another highlight was "Devil in God’s Clothing", an upcoming release with a lyric that feels worthy of superstardom. If a modern icon like Beyoncé or Taylor Swift released “Devil in God’s Clothing,” you could bet the music world would be falling over itself with praise.

The Roadrunners are a band moving confidently in the right direction. With their ability to balance catchy covers, strong original material, and natural stage presence, it feels like it’s only a matter of time before they attract the attention they deserve. If they keep delivering songs of this caliber, the sky truly is the limit.
If you haven’t caught them live yet, now’s the time to do it — you won’t regret it.

Stu’s December Rundown

December was an electric month of live music, with a mix of familiar  faces and exciting new talent making their mark. I kicked off the month with The Roadrunners on 7th December at Classic Grand. Their live version of "Fault" was a true highlight, transforming the haunting, slow-paced Spotify track into an electrifying performance. They really bring their songs to life on stage, showcasing impressive vocal ranges and powerful electric guitar work.

Next up were The Kairos, performing on 12th and 13th December. The first gig was at Sneaky Pete's in Edinburgh, which I was overly impressed with. The narrow, intimate space really made for a fantastic atmosphere. The support acts, Twisted Ends and Red Vanilla, brought their own energy, though Red Vanilla was held back by poor sound issues beyond their control. Still, their vocals reminded me of Heart, and they’re definitely a band I’ll be following in 2025. The Kairos were the headliners, and their performance was nothing short of spectacular.  The buzzing atmosphere before they took the stage turned into an all-out party once they started playing. "Punchline Fistfight" hit hard, and the band’s raw energy, killer riffs, and strong vocals had the crowd jumping from start to finish

The very next night, I caught The Kairos again on 13th December at SWG3 Poetry Club in Glasgow. While the initial atmosphere was quieter, I put that down to the difference in venue size and setup. Once The Kairos hit the stage, they quickly brought the crowd to life with the same high-energy set. Ample House and Levengrove, the support acts, held their own, with both bands showing promise and good sound. The Kairos once again made the night feel special, with "Punchline Fistfight" bringing the crowd into a frenzy, leaving no doubt that these are guys to watch in the coming year. I even had a chance to chat with the band after their Edinburgh gig, and they were genuinely down-to-earth and happy to sign items and share a used drumstick—just solid lads who seem destined for bigger things

Then came The Shambolics' performances on 21st and 26th December. Their gig at PJ Molloys in Dunfermline was going to be my final gig of 2024, but as fate would have it, the band announced a surprise Boxing Day homecoming gig in Kirkcaldy. With all funds raised through ticket sales going to the Kirkcaldy Food Bank, it was a show I couldn’t miss, especially since it was their first return to Kirkcaldy in five years. The gig itself was a celebration, with the band delivering a polished set that had the whole crowd singing along. The intimate venue and the band’s infectious energy made the night one to remember. It was a special moment that perfectly kicked off the festive season.

The Shambolics made both their December gigs feel special, proving their ability to connect with fans on a deep level. Their chemistry on stage was undeniable, and the crowd’s excitement only added to the sense that these are still relatively new, up-and-coming bands with massive potential. Their catchy melodies were evident in the singalongs throughout their set, and the atmosphere was electric.

Lastly, The Shambolics' Boxing Day gig in Kirkcaldy lived up to all expectations. The hometown crowd gave them a warm welcome, and the energy was through the roof from the moment they took the stage. The intimate venue again played a big role in creating a personal experience for everyone there. This gig felt like the perfect end to the year, and I’m certain that 2025 is going to be another exciting chapter for these talented bands.